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The notoriously single and not-so-successful womanizer Max has settled down perfectly into his bachelor life when suddenly the enchanting Lisa, sister of his flatmate and partner Ulli, appears on his doorstep and asks to stay for the next four weeks. Nothing better than that, Max thinks to himself and smells prey. But in no time at all, Lisa's appeal is gone when Max realizes that she hasn't come alone: she has her sweet baby Maya with her - and that's the last straw for Max. How is he and Ulli supposed to win the city council's architectural competition if a toddler is constantly bawling in their ears? Ulli insists on helping Lisa and puts a gun to Max's head: either mother and child can stay - or he will leave the apartment they share.

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When Mara flees from the military dictatorship in her country of origin in Latin America, she leaves a lot behind. Twenty years later, mother and daughter are living in Berlin when an amnesty and compensation for the exiles are announced. The events and the reunion with an old acquaintance awaken fears in Mara that she was able to suppress for a long time. She relives the past in vivid nightmares.

Oliver and the much older photographer Hendrik are a couple. A rather contrasting couple: Hendrik has already achieved a lot in his life and is considered an 'old hand' in his profession. Oliver, on the other hand, is only at the beginning of his career as a photographer and has retained a childlike naivety and playfulness in his life plans. Oliver and the young Silvia meet at a photo session. It is immediately clear to the ambitious Silvia that Oliver is her springboard to a modeling career. That same evening, Hendrik proposes to Oliver. But Oliver makes an almost unfulfillable condition: He wants a child! Hendrik is completely at a loss. What should he do? Then Silvia bursts into his house. All she really wants is to be photographed by Oliver. But things turn out differently...

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